“There used to be homes but the sea level has risen so all the inhabitants had to go up. So traces of homes remained. When moving up, people brought as many trees as they could with them up there. And the people have been so much outdoors so they smell exotic.”
“This is a tiny island. It’s actually floating because it’s quite soft. It’s green on the island and there are some fish on the island jumping. And there are some blueberry bush which looks big compared to the island. And there is a tiny sauna for fish so they come inside to take sauna and smoke themselves, they become smoked fish. Automatic smoked fish island. I put smoked fish and blueberry in the bread as well.”
“My island is small and independent, because I came to this region—which is remote and far from the capital—to live by myself like a secluded island. I chose level 4 in roughness scale because I’m in my 40s, thus completing in 10 in the end. I don’t need a big house and many possessions in my life. I wish self-sufficient life without much care.”
Every man is an island. I stand by that. But, clearly, some men are part of island chains, Below the surface of the ocean, they’re actually connected.
Film “About a Boy”
It was on the ferry boat traveling to Suomenlinna Island that we came up with the initial idea of the island metaphor for this project. We formed a design collective named AÄÅ, which signify Nordic countries—the place where our exploration took place—and symbolized the three of us. When we first moved to Finland, each of us felt that “I am an island floating on the different culture.” Passing by various sizes and shapes of islands scattered around, we talked about isolation and connection, in regard to the nature of island which is isolated above the water yet connected under the water. As a voyage to remote islands takes time and effort, this artistic practice is a conceptual journey to people as they identified with various islands scattered around, eventually exploring the atlas of other islands in a certain group or community.